2023
Patton, Pamela A. “Sign, Soma, Stereotype: Ways of Seeing Jews.” The Lost Mirror: Jews and Conversos in Medieval Spain. Madrid: Museo Nacional del Prado, 2023. 95–109. Print.
Patton, Pamela A. “Going Outside the Lines: Convention and Improvisation in the Cantigas De Santa María.” Repenser l’art médiéval. Hommage à Xavier Barral I Altet. Motuvun: IRCLAMA, University of Zagreb, 2023. 515–522. Print.
(ed.), Pamela A. Patton, and Maria Alessia Rossi. Out of Bounds: Exploring the Limits of Medieval Art. Vol. 3. University Park, PA: Penn State University Press, 2023. Print.
2022
Patton, Pamela A. “What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia.” Speculum 97.3 (2022): 649–697. Print.
(ed.), Pamela A. Patton, and Catherine A. Fernandez (ed.). Iconography Beyond the Crossroads: Image, Method, and Meaning in Medieval Art. Vol. 2. University Park, PA: Penn State University Press, 2022. Print.
Patton, Pamela A. “‘Iconography and Evolution at the Index of Medieval Art’ [Chinese].” World 3: Iconographic Archives. Beijing: OCAT Institute, 2022. 17–34. Print.
2021
(ed.), Pamela A. Patton, and Henry D. Schilb (ed.). The Lives and Afterlives of Medieval Iconography. University Park, PA: Penn State University Press, 2021. Print.
2019
Patton, Pamela A. “Color, Culture, and the Making of Difference in the Vidal Mayor.” Towards a Global Middle Ages: Encountering the World Through Illuminated Manuscripts, Ed. By Bryan C. Keene. Malibu, CA: Getty Museum, 2019. Print.
Patton, Pamela A. “Blackness, Whiteness, and the Idea of Race in Medieval European Art.” Whose Middle Ages? Teachable Moments for an Ill-Used Past, Ed. By Andrew Albin Et Al. New York: Forham University Press, 2019. 154–165. Print.
Patton, Pamela A. “Demons and Diversity in León.” Medieval Encounters 25.1-2 (2019): 150–179. Print.
2017
Patton, Pamela A. “The Other in the Middle Ages: Difference, Identity, and Iconography.” The Routledge Companion to Medieval Iconography, Ed. By Colum P. Hourihane. London: Routledge, 2017. 492–503. Print.
Patton, Pamela A. (ed.), and Judith K. Golden (ed.). Tributes to Adelaide Bennett Hagens. Manuscripts, Iconography, and the Late Medieval Viewer. Turnhout: Brepols, 2017. Print.
2016
Patton, Pamela A. “An Ethiopian-Headed Serpent in the Cantigas De Santa María: Sin, Sex, and Color in Late Medieval Castile.” Gesta 55.2 (2016): 213–38. Print.
Patton, Pamela A. (ed.). Envisioning Others: Race, Color, and the Visual in Iberia and Latin America. Vol. 62. Leiden: Brill, 2016. Print.
2014
Patton, Pamela A. “The Little Jewish Boy: Afterlife of a Byzantine Legend in Thirteenth-Century Spain.” Byzantine Images and Their Afterlives: Essays in Honor of Annemarie Weyl Carr, Ed. Lynn Jones. Aldershot: Ashgate, 2014. 61–80. Print.
2013
Patton, Pamela A. “Arts.” Journal of Medieval Iberian Studies (Special Issue:Shards of Memory: Reflections on the Legacy of María Rosa Menocal) 5.3 (2013): 111–117. Print.
2012
Patton, Pamela A. Art of Estrangement: Redefining Jews in Reconquest Spain. University Park, PA: Penn State University Press, 2012. Print.
2008
Patton, Pamela A. “Constructing the Inimical Jew in the Cantigas De Santa María: Theophilus’ Magician in Text and Image.” Beyond the Yellow Badge: Anti-Judaism, Anti-Semitism and European Art Before 1800, Ed. By Mitchell Merback. Leiden: Brill, 2008. 233–256. Print.
2007
Patton, Pamela A. “An Islamic Envelope-Flap Binding in the Cloister of Tudela: Another ‘Muslim Connection’ for Iberian Jews?.” Spanish Medieval Art: Recent Studies, Ed. Colum P. Hourihane. Tempe, AZ: Medieval and Renaissance Texts and Studies, 2007. 65–88. Print.
2005
Patton, Pamela A. “Cain’s Blade and the Question of Midrashic Sources in Medieval Spanish Art.” Church, State, Vellum and Stone: Essays in Honor of John Williams, Ed. By Julie Harris and Therese Martin. Leiden: Brill, 2005. 423–451. Print.
2004
Patton, Pamela A. Pictorial Narrative in the Romanesque Cloister: Cloister Imagery and Religious Life in Medieval Spain. New York: Peter Lang, 2004. Print.
2003
Patton, Pamela A. “The Cloister As Cultural Mirror: Anti-Jewish Imagery at Santa María La Mayor in Tudela.” Der Mittelalterliche Kreuzgang: Architectur, Funktion Und Programm, Ed. Peter Klein. Regensburg: Schnell & Steiner, 2003. 317–332. Print.
2000
Patton, Pamela A., John Lunsford, and Kelly Chamblee. The Meadows Museum. A Handbook of Spanish Painting and Sculpture. Dallas, TX: Meadows Museum, 2000. Print.
Patton, Pamela A. “Catálogo.” La Colección Meadows. Exhibition Catalogue, Museo Thyssen-Bornemisza and Museu Nacional d’Art Catalan, May-November, 2000. With John Lunsford and Kelly Chamblee. Madrid: Museo Thyssen-Bornemisza, 2000. Print.
1999
Patton, Pamela A., and Eric Marshall White. Faith in Conflict: Devotional Images and Forbidden Books from Spain’s Counter Reformation (exhibition Booklet). Dallas, TX: Meadows Museum, 1999. Print.
Patton, Pamela A. “The Capitals of San Juan De La Peña: Narrative Sequence and Monastic Spirituality in the Romanesque Cloister.” Studies in Iconography 20 (1999): 51–100. Print.
1997
Patton, Pamela A. “El Prado En La Pradera’: Arte español En El Museo Meadows (Dallas, Texas).” Goya. Revista de Arte 257 (1997): 258–266. Print.
1996
Patton, Pamela A. “A Late Gothic Painted Cabinet from Catalonia.” The Burlington Magazine (1996): 386–391. Print.
1994
Patton, Pamela A. “Et Partu Fontis Exceptum: The Typology of Birth and Baptism in an Unusual Spanish Image of Jesus Baptized in a Font.” Gesta 2 (1994): 79–92. Print.