Patton, Pamela A. (2025) 2023. ““Entangled Threads: Ethiopia and Image-Making in the Cantigas de Santa María"”. La Corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 52 (1): 87–112. doi:10.1353/cor.2023.a961710.

Patton, Pamela A., ed. (2025) 2025. Art, Power, and Resistance in the Middle Ages. Signa: Papers of the Index of Medieval Art at Princeton University. Pennsylvania State University Press. Referenced from www.psupress.org: Art, Power, and Resistance in the Middle Ages.

Patton, Pamela A. (2023) 2023. “Sign, Soma, Stereotype: Ways of Seeing Jews”. In The Lost Mirror: Jews and Conversos in Medieval Spain, 95–109. Madrid: Museo Nacional del Prado.

Patton, Pamela A. 2023. “Going Outside the Lines: Convention and Improvisation in the Cantigas de Santa María”. In Repenser L’art Médiéval. Hommage à Xavier Barral I Altet, 515–522. Motuvun: IRCLAMA, University of Zagreb.

Patton, Pamela A. 2022. “What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia”. Speculum 97 (3): 649–697.

Patton, Pamela A. 1994. “Et Partu Fontis Exceptum: The Typology of Birth and Baptism in an Unusual Spanish Image of Jesus Baptized in a Font”. Gesta, no. 2: 79-92.

Patton, Pamela A. 1996. “A Late Gothic Painted Cabinet from Catalonia”. The Burlington Magazine, 386-91.

Patton, Pamela A. 1997. “El Prado en la Pradera’: Arte Español en El Museo Meadows (Dallas, Texas)”. Goya. Revista de Arte 257: 258-66.

Patton, Pamela A., and Eric Marshall White. 1999. Faith in Conflict: Devotional Images and Forbidden Books from Spain’s Counter Reformation (exhibition Booklet). Dallas, TX: Meadows Museum.

Patton, Pamela A. 1999. “The Capitals of San Juan de la Peña: Narrative Sequence and Monastic Spirituality in the Romanesque Cloister”. Studies in Iconography 20: 51-100.

Patton, Pamela A., John Lunsford, and Kelly Chamblee. 2000. The Meadows Museum. A Handbook of Spanish Painting and Sculpture. Dallas, TX: Meadows Museum.

Patton, Pamela A. 2000. “Catálogo”. In La Colección Meadows. Exhibition Catalogue, Museo Thyssen-Bornemisza and Museu Nacional D’Art Catalan, May-November, 2000. With John Lunsford and Kelly Chamblee.. Madrid: Museo Thyssen-Bornemisza.

Patton, Pamela A. 2003. “The Cloister As Cultural Mirror: Anti-Jewish Imagery at Santa María la Mayor in Tudela”. In Der Mittelalterliche Kreuzgang: Architectur, Funktion Und Programm, Ed. Peter Klein, 317-32. Regensburg: Schnell & Steiner.

Patton, Pamela A. 2005. “Cain’s Blade and the Question of Midrashic Sources in Medieval Spanish Art”. In Church, State, Vellum and Stone: Essays in Honor of John Williams, Ed. By Julie Harris and Therese Martin, 423-51. Leiden: Brill.

Patton, Pamela A. 2007. “An Islamic Envelope-Flap Binding in the Cloister of Tudela: Another ‘Muslim Connection’ for Iberian Jews?”. In Spanish Medieval Art: Recent Studies, Ed. Colum P. Hourihane, 65-88. Tempe, AZ: Medieval and Renaissance Texts and Studies.

Patton, Pamela A. 2008. “Constructing the Inimical Jew in the Cantigas de Santa María: Theophilus’ Magician in Text and Image”. In Beyond the Yellow Badge: Anti-Judaism, Anti-Semitism and European Art Before 1800, Ed. By Mitchell Merback, 233-56. Leiden: Brill.

Patton, Pamela A. 2013. “Arts”. Journal of Medieval Iberian Studies (Special Issue:Shards of Memory: Reflections on the Legacy of María Rosa Menocal) 5 (3): 111-17.

Patton, Pamela A. 2014. “The Little Jewish Boy: Afterlife of a Byzantine Legend in Thirteenth-Century Spain”. In Byzantine Images and Their Afterlives: Essays in Honor of Annemarie Weyl Carr, Ed. Lynn Jones, 61-80. Aldershot: Ashgate.

Patton, Pamela A. 2016. “An Ethiopian-Headed Serpent in the Cantigas de Santa María: Sin, Sex, and Color in Late Medieval Castile”. Gesta 55 (2): 213-38.

Patton, Pamela A. 2017. “The Other in the Middle Ages: Difference, Identity, and Iconography”. In The Routledge Companion to Medieval Iconography, Ed. By Colum P. Hourihane, 492-503. London: Routledge.

Patton, Pamela A. 2019. “Color, Culture, and the Making of Difference in the Vidal Mayor”. In Towards a Global Middle Ages: Encountering the World Through Illuminated Manuscripts, Ed. By Bryan C. Keene. Malibu, CA: Getty Museum.

Patton, Pamela A. 2019. “Blackness, Whiteness, and the Idea of Race in Medieval European Art”. In Whose Middle Ages? Teachable Moments for an Ill-Used Past, Ed. By Andrew Albin et Al., 154-65. New York: Forham University Press.

Patton, Pamela A. 2022. “‘Iconography and Evolution at the Index of Medieval Art’ [Chinese]”. In World 3: Iconographic Archives, 17–34. Beijing: OCAT Institute.

Patton, Pamela A. 2004. Pictorial Narrative in the Romanesque Cloister: Cloister Imagery and Religious Life in Medieval Spain.. New York: Peter Lang.

Patton, Pamela A. 2012. Art of Estrangement: Redefining Jews in Reconquest Spain. University Park, PA: Penn State University Press.

Patton, Pamela A. 2019. “Demons and Diversity in León”. Medieval Encounters 25 (1-2): 150-79.